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One of many Best Horror Movies Is Leaving Amazon Prime Video This Week, And You Ought to Completely Revisit It Earlier than It’s Gone


One of the Greatest Horror Films Is Leaving Amazon Prime Video This Week, And You Should Totally Revisit It Before It’s Gone


Few issues are extra terrifying than the concept of being caught between a rock and a tough spot, and one film that brilliantly makes use of that frequent concern occurs to be one in all my favorites. I’m, after all, speaking about 2005’s The Descent. For my cash, there are usually not many nice horror films which can be extra bone chilling than the claustrophobic story of spelunkers going head-to-head with some terrifying cave-dwelling creatures, and this nice film of the 2000s is about to depart one of many finest streaming companies — Amazon Prime Video. Nonetheless, there isn’t a time like the current to revisit the flick earlier than it’s gone. 

The Descent is a masterclass in terror, launched in 2005 and directed by Neil Marshall. The movie follows a bunch of adventurous girls who embark on a spelunking journey within the Appalachian Mountains, solely to seek out themselves trapped and hunted by monstrous creatures lurking within the darkness. However what units the movie aside out of your typical creature characteristic is its impeccable execution in constructing pressure and psychological horror.

We observe the primary character, Sarah, who goes on a visit together with her girlfriends after her husband and daughter are killed in a tragic accident. The film doesn’t simply carry the scares; it’s a horror film that is aware of find out how to meaningfully tackle grief.Like a few of the finest entries within the style, this story of survival has one killer plot twist.

The Descent cast in a dark cave

(Picture credit score: Lionsgate)

From the get-go, the film plunges you right into a world of oppressive claustrophobia. The slim, winding caves grow to be a personality in their very own proper, squeezing the breath out of each the protagonists and the viewers. Marshall’s use of lighting—or the shortage thereof—is nothing wanting genius. The dim, flickering headlamps and the occasional flare illuminate simply sufficient to maintain your creativeness working wild whereas the remaining stays shrouded in darkness, hiding untold terrors. I’m getting chills simply interested by it!

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